‰wƒf[ƒ^ƒx[ƒX

w‘åãŽs‚‘¬“d‹C‹O“¹ ’·–x’ߌ©—Î’nüx‚̉w

17Œ•\Ž¦

@N11@

‰w

@

‰wÚ×

‘å³

(‚½‚¢‚µ‚傤)

Taisho@

‘åã•{‘åãŽs
@‘峋æŽOŒ¬‰Æ¼1’š–Ú2”Ô1†

@N12@

‰w

@

‰wÚ×

ƒh[ƒ€‘Oç‘ãè

(‚Ç[‚Þ‚Ü‚¦‚¿‚æ‚´‚«)

Dome Mae Chiyozaki@

‘åã•{‘åãŽs
@¼‹æç‘ãè3’š–Ú–k2”Ô8†

@N13@

‰w

@

‰wÚ×

¼’·–x

(‚É‚µ‚È‚ª‚Ù‚è)

Nishi Nagahori@

‘åã•{‘åãŽs
@¼‹æ–k–x]3’š–Ú12”Ô20†

@N14@

‰w

@

‰wÚ×

¼‘å‹´

(‚É‚µ‚¨‚¨‚Í‚µ)

Nishi Ohashi@

‘åã•{‘åãŽs
@¼‹æV’¬1’š–Ú28”Ô11†

@N15@

‰w

@

‰wÚ×

SÖ‹´

(‚µ‚ñ‚³‚¢‚΂µ)

Shinsai Bashi@

‘åã•{‘åãŽs
@’†‰›‹æSÖ‹´‹Ø1’š–Ú8”Ô16†

@N16@

‰w

@

‰wÚ×

’·–x‹´

(‚È‚ª‚Ù‚è‚΂µ)

Nagahori Bashi@

‘åã•{‘åãŽs
@’†‰›‹æ“‡”V“à1’š–Ú18”Ô9†

@N17@

‰w

@

‰wÚ×

¼‰®’¬

(‚܂‚₿‚傤)

Matsuya Cho@

‘åã•{‘åãŽs
@’†‰›‹æ¼‰®’¬3”Ô27†

@N18@

‰w

@

‰wÚ×

’J’¬˜Z’š–Ú

(‚½‚É‚Ü‚¿‚ë‚­‚¿‚傤‚ß)

Tani Machi 6 Chome@

‘åã•{‘åãŽs
@’†‰›‹æ’J’¬6’š–Ú9”Ô1†

@N19@

‰w

@

‰wÚ×

‹Ê‘¢

(‚½‚܂‚­‚è)

Tamatsukuri@

‘åã•{‘åãŽs
@“V‰¤Ž›‹æ‹Ê‘¢–{’¬1”Ô2†

@N20@

‰w

@

‰wÚ×

Xƒm‹{

(‚à‚è‚Ì‚Ý‚â)

Morinomiya@

‘åã•{‘åãŽs
@’†‰›‹æXƒm‹{’†‰›1’š–Ú1”Ô43†

@N21@

‰w

@

‰wÚ×

‘åãƒrƒWƒlƒXƒp[ƒN

(‚¨‚¨‚³‚©‚Ñ‚¶‚Ë‚·‚Ï[‚­)

Osaka Business Park@

‘åã•{‘åãŽs
@’†‰›‹æ錩1’š–Ú3”Ô13†

@N22@

‰w

@

‰wÚ×

‹ž‹´

(‚«‚傤‚΂µ)

Kyobashi@

‘åã•{‘åãŽs
@“s“‡‹æ“Œ–ì“c’¬2’š–Ú6”Ô18†

@N23@

‰w

@

‰wÚ×

Š—¶Žl’š–Ú

(‚ª‚à‚¤‚æ‚ñ‚¿‚傤‚ß)

Gamo 4 Chome@

‘åã•{‘åãŽs
@é“Œ‹æ¡•Ÿ¼3’š–Ú1”Ô35†

@N24@

‰w

@

‰wÚ×

¡•Ÿ’ߌ©

(‚¢‚Ü‚Ó‚­‚‚é‚Ý)

Imafuku Tsurumi@

‘åã•{‘åãŽs
@é“Œ‹æ¡•Ÿ“Œ2’š–Ú14”Ô15†

@N25@

‰w

@

‰wÚ×

‰¡’ç

(‚悱‚‚Ý)

Yokozutsumi@

‘åã•{‘åãŽs
@’ߌ©‹æ‰¡’ç5’š–Ú3”Ô31†

@N26@

‰w

@

‰wÚ×

’ߌ©—Î’n

(‚‚é‚Ý‚è‚å‚­‚¿)

Tsurumi Ryokuchi@

‘åã•{‘åãŽs
@’ߌ©‹æ—Î’nŒö‰€1”Ô55†

@N27@

‰w

@

‰wÚ×

–å^“ì

(‚©‚Ç‚Ü‚Ý‚È‚Ý)

Kadoma Minami@

‘åã•{–å^Žs
@ŽOƒc“‡3’š–Ú6”Ô’n